F. Scott Fitzgerald was an American novelist in the early twentieth century, and his works have continued to be popular to this day. He was born on September 24, 1896. To celebrate the anniversary of his birth, check out some of his work. We've provided a selection below. Happy reading!
The Great Gatsby is a novel by the American author F. Scott Fitzgerald. First published on April 10, 1925, it is set in Long Island's North Shore and New York City during the summer of 1922. The novel chronicles an era that Fitzgerald himself dubbed the "Jazz Age." Following the shock and chaos of World War I, American society enjoyed unprecedented levels of prosperity during the "roaring" 1920s as the economy soared. At the same time, Prohibition, the ban on the sale and manufacture of alcohol as mandated by the Eighteenth Amendment, made millionaires out of bootleggers and led to an increase in organized crime.
Published in 1934, Tender Is the Night was one of the most talked-about books of the year. "It's amazing how excellent much of it is," Ernest Hemingway said to Maxwell Perkins. "I will say now," John O'Hara wrote Fitzgerald, "Tender Is the Night is in the early stages of being my favorite book, even more than This Side of Paradise." And Archibald MacLeish exclaimed: "Great God, Scott...You are a fine writer. Believe it -- not me." Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character -- lyrical, expansive, and hauntingly evocative -- Tender Is the Night, Mabel Dodge Luhan remarked, raised F. Scott Fitzgerald to the heights of "a modern Orpheus."
Published in 1920, when the author was just twenty-three, This Side of Paradise recounts the education of a youth, and to this universal story Fitzgerald brings the promise of everything that was new in the vigorous, restless America of the years following World War I. Amory Blaine egoistic, versatile, callow, and imaginative inhabits a narrative interwoven with songs, poems, dramatic dialogue, questions and answers. His growth from self-absorption to sexual awareness and personhood is described with continuous improvisatory energy and delight. Fitzgerald's formal inventiveness and verve heighten our sense that the world being described is our own, modern world.
Fitzgerald's ironic epigraph to The Beautiful and the Damned exemplifies his attitude toward the young rootless post-World War I generation. Fitzgerald here once again displays a wariness of the upper classes--"an abiding distrust, and animosity toward the leisure class--not the conviction of a revolutionist but the smoldering hatred of a peasant."